Aberration in Modern Poetry. Essays on Atypical Works by by Lucy Collins

By Lucy Collins

This serious paintings considers the position performed through parts that will be thought of aberrational in a poet's oeuvre. With an introductory essay exploring the character of aberration, those fourteen contributions examine the paintings of significant 20th-century poets from the united states, Britain, eire, Australia and New Zealand. Aberration is taken into account from the viewpoint of either the artist and the viewers, prompting dialogue on a number very important concerns, together with the formation of the canon. each one essay discusses the prestige of the aberrant paintings and the ways that it demanding situations, enlarges or helps the final belief of the poet.

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Additional resources for Aberration in Modern Poetry. Essays on Atypical Works by Yeats, Auden, Moore, Heaney and Others

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You Say You Said,” in contrast, might seem to participate in singling out the Germans as murderous and unjust. ” Like “Reinforcements,” which Moore drops from her collections after Observations, “You Say You Said” does not have particularly memorable lines or cadence. Each poem helps to fill in our sense of Moore’s responses to World War I and the working manner of her poems in 1918, but neither would lead us to mark Moore as a great poet. 22 By 1918, Moore was beginning to have enough work in print to prefer no publication to publication in venues she did not respect.

1 (Spring 1987): 10–12. Wilson, Elizabeth. ’” Leavell, Miller, and Schulze. 192–207. W. H. Auden’s Detours STEPHEN MATTERSON The journey, the quest, and the act of wandering occur so frequently over forty years of Auden’s poetry that evagation becomes analogous to the act of writing a poem. ” he asked, but the rhetorical question masks the fact that his landscapes were never the same landscape, and often represented the climax of a journey whose conclusion was not planned or prefigured (Collected 127).

Patricia C. Willis. Orono, ME: National Poetry Foundation, 1990. Kappell, Andrew J. ” Representing Modernist Texts: Editing as Interpretation. Ed. George Bornstein. Ann Arbor: University of Michigan Press, 1991. 125–170. Leavell, Linda. Marianne Moore and the Visual Arts. Baton Rouge: Louisiana State University Press, 1995. _____, Cristanne Miller, and Robin G. Schulze, eds. ” Lewisburg, PA: Bucknell University Press, 2005. Miller, Cristanne. ” Sources 12 (2002): 29–47. _____. Marianne Moore: Questions of Authority.

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