By Abbi Glines
Marcus Hardy had was hoping to take pleasure in a yr away at school whereas he positioned the summer season he’d particularly disregard at the back of him. yet as an alternative, he’s jerked correct again to the coastal city of Sea Breeze, Alabama because of a kinfolk predicament. His expensive ol' dad discovered himself a female friend just a couple of years older than Marcus. So now his sister wishes aid facing their mom who's mentally falling aside. the single brilliant spot to returning is the interesting pink head who sleeps over numerous instances per week. the matter is she's dozing in mattress together with his new roommate, Cage Watson. Willow “Low” Foster wishes a spot to dwell. working to Cage’s house whenever her sister kicks her out isn’t precisely a protracted time period answer. Juggling her classes on the local people collage and an element time task doesn’t produce extra source of revenue. yet Cage has a brand new roommate and without warning snoozing over at her top friend’s condominium isn’t the sort of undesirable factor. now not while she will get to work out these horny eco-friendly eyes of Marcus Hardy’s twinkle whilst he smiles at her like he desires her there. even supposing Cage turns out a bit territorial the place Low is anxious, Marcus reveals time to spend with Low with out scary his roommate. Cage may perhaps use his small university baseball superstar character to sleep with each scorching woman in his direction yet he’s nonetheless lower than the disillusion that after he’s via sowing his wild oats, he’s going to marry Low. Marcus intends to alter that assumption for either Cage and coffee. till his conscientiously laid plans come crashing down with a revelation he by no means anticipated. He’ll need to choose from Low or his relatives. simply because as soon as the reality comes out.... there’s no different selection.
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Extra resources for Because of Low (Sea Breeze, Book 2)
As a key member of a group of late nineteenth-century intellectuals, nicknamed ‘the Souls’*, Violet talked about art and berated the philistinism of the Victorian age. She was also much admired for her own amateur gifts, with several of her busts and her silver-point and pencil portraits exhibited in London galleries. A reputation for being different, even mildly rebellious, had attached itself to her. While Violet deferred to the formal duties of a Duke’s wife, she clearly preferred intimate suppers to grand dinners and court events.
1 Yet over the following days she would be feted by artists and critics as a black pearl, an ebony Venus, a jazz age vamp with the soul of an African goddess. Postcards of ‘La Baker’ went on sale, as did a range of Josephine dolls. Her shiny black hair and coffee-coloured skin, the source of so much abuse back home, were harnessed to the marketing of French beauty products: hair pomade for the glossing of Eton crops; walnut oil for the faking of summer tans. Her hard, supple body was celebrated as an icon of contemporary style – reflecting the glossy streamlined aesthetic of art deco and the gamine flair of the French garçonne.
They were written about by the same novelists and journalists, photographed for the same publications. But biography is essentially about the colour and detail of individual lives and in writing this book I’ve been fortunate to profit from the groundwork of many other fine biographers. To their research and knowledge I owe a profound debt. In the matter of language, the 1920s was a world away from our own politically conscious era. Young women were girls, blacks were often niggers, female actors were actresses, and even though this usage can grate on modern ears, I’ve opted to retain a flavour of it, for the sake of period accuracy.