Beyond the Wall: Exploring George R. R. Martin's A Song of

"There have been a few books approximately A online game of Thrones (the HBO sequence) and A music of Ice and fireplace (the books) released final yr . . . the one who inspired me such a lot was once James Lowder's Beyond the Wall."
—George R.R. Martin

Foreword by way of New York Times bestselling writer R.A. Salvatore

Go past the Wall and around the slim sea with this assortment approximately George R.R. Martin’s A tune of Ice and hearth, from A online game of Thrones to A Dance with Dragons.

The epic online game of thrones chronicled in George R.R. Martin’s A tune of Ice and fireplace sequence has captured the imaginations of thousands of readers. In Beyond the Wall, bestselling authors and acclaimed critics provide up thought-provoking essays and compelling insights:

Daniel Abraham finds the original demanding situations of adapting the unique books into picture novels.
Westeros.org founders Linda Antonsson and Elio M. García, Jr., discover the series’ advanced heroes and villains, and their roots within the Romantic movement.
Wild playing cards contributor Caroline Spector delves into the books’ debatable depictions of energy and gender.

Plus even more, from army technological know-how fiction author Myke Cole at the manner Post-Traumatic rigidity ailment shapes a few of the best characters to writer and tv author Ned Vizzini at the biases opposed to style fiction that colour severe reactions to the series.

Contributors:

R.A. Salvatore (foreword)
Daniel Abraham
Linda Antonsson
Myke Cole
Elio M. García, Jr.
Brent Hartinger
John Jos. Miller
Alyssa Rosenberg
Jesse Scoble
Caroline Spector
Matt Staggs
Susan Vaught
Ned Vizzini
Gary Westfahl
Adam Whitehead
Andrew Zimmerman Jones

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Extra resources for Beyond the Wall: Exploring George R. R. Martin's A Song of Ice and Fire, From A Game of Thrones to A Dance with Dragons

Example text

14 U LYS S E S The character of Ulysses always fascinated me – even when a boy. Imagine, fifteen years ago I started writing it as a short story for Dubliners! For seven years I have been working at this book – blast it! It is also a sort of encyclopaedia. My intention is to transpose the myth sub specie temporis nostri. Each adventure (that is, every hour, every organ, every art being interconnected and interrelated in the structural scheme of the whole) should not only condition but even create its own technique.

In substance, both writers see the demise of traditional aristocracies, the self-consumption of the competitive or commercial class, and in that ruin the formation by artists of a new political order. But Pound could not have known Joyce’s essay, which was rejected for publication (the two passages may stem from a common original in Nietzsche). The echoes nonetheless enclose an absolute difference in political philosophy. Pound’s glorification of a hieratic priesthood, his esteem for ancient echelons of title and class, locate an authoritarian demeanor alien to Joyce.

6 U LYS S E S landholder seeking reforms in the tenant laws, an English activist for Irish Home Rule, Parnell displayed a capacity for paradox that signaled his genuine ability to cross cultural barriers and broker useful alliances. To suggest that the hope stirred by his leadership in practical politics could divert itself after his death into the production of pure poetry, which served in turn to generate nothing less than the Irish Rising of Easter 1916, however, seems both to privilege the artists’ distance from history and credit them with too direct a political force and effect.

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